WIN: Tickets to BLACKBERRY SMOKE at the Academy, Dublin on the 21st June… Posted: 31/05/2016 by John O'Brien
*** THIS COMPETITION IS NOW CLOSED ***
Blackberry Smoke announce an Irish date at The Academy Dublin on the 21st of June as part of their international “Holding All The Roses” tour. AndThe Irish Metal Archive is teaming up with MCD to give one lucky person a pair of tickets to see BLACKBERRY SMOKE when they play The Academy, Dublin on the 21st June 2016…!!!
Live At The Academy, Dublin
“Holding All The Roses Tour”
21 June 2016
Doors @ 7pm – Tickets on Sale Now.
Tickets €20 including booking fee on sale now from Ticketmaster.
On sale now from ticketmaster.ie and outlets nationwide.
Blackberry Smoke announce an Irish date at The Academy Dublin on the 21st of June as part of their international “Holding All The Roses” tour.
Congratulations to the ticket winner Brian McCarthey!
*** THIS COMPETITION IS NOW CLOSED ***
“I think that this record does a really good job of conveying what we do and what we’re about,” Blackberry Smoke singer-guitarist-songwriter Charlie Starr says of Holding All the Roses, the band’s fourth studio album and its first Rounder release.
Indeed, Holding All the Roses compellingly captures the energy, attitude and honesty that have already helped to make Blackberry Smoke one of America’s hottest live rock ‘n’ roll outfits, as well as a grassroots phenomenon with a large and fiercely loyal fan base that reflects the band’s tireless touring regimen and staunch blue-collar work ethic.
The 12-song set—produced by Brendan O’Brien, whose previous production clients have included AC/DC,Aerosmith, Pearl Jam, Bruce Springsteen and Neil Young—showcases the Atlanta-based quintet’s emotion-charged mix of bluesy rock, gospel soul, and country, with Starr’s raspy twang matched by his and Paul Jackson’s snarling guitars, Brandon Still’s hauntingly expressive organ and piano, and the propulsive sibling rhythm section of Richard and Brit Turner. The songs’ musical and emotional appeal is further elevated by the band’s three-part vocal harmonies and expanded arrangements that make judicious use of fiddle and added percussion.
The five musicians’ instinctive musical rapport manifests itself equally strongly on such surging rockers as “Let Me Help You (Find the Door),” “Living in the Song” and “Wish In One Hand,” and on such intimate, introspective tunes as “Woman in the Moon,” “Too High” and the stirring, acoustic-textured “No Way Back to Eden.” The album’s musical and emotional depth demonstrates how Blackberry Smoke continues to extend and expand the Southern rock tradition.
The musical maturity that’s on display throughout Holding All the Roses underlines Blackberry Smoke’s steady evolution from rough-edged club act to arena-ready rock ‘n’ roll juggernaut. Since its formation in 2000, the band has never shied away from hard work, playing more than 250 shows a year and building an ever-expanding audience on the strength of its live shows, and with a noticeable lack of mainstream hype.
“We’ve built our audience one fan at a time,” states drummer Brit Turner. “Sometimes it feels like we know every one of them personally, and we’re constantly amazed and moved by their loyalty and passion.”
Along the way, Blackberry Smoke has found time to record a handful of independent releases, including the albums Bad Luck Ain’t No Crime, Little Piece of Dixie, and The Whippoorwill (the latter on country megastar Zac Brown’s Southern Ground label), plus a pair of EPs, the concert DVD Live at the Georgia Theatre, and the live CD/DVD set Leave A Scar. Although those releases found favor with fans and were received warmly by critics, the band members feel that Holding All the Roses marks the first time that Blackberry Smoke has had the time and resources to make an album that properly captures their musical essence.
“In the past, we never really had the resources to make the kind of records we wanted to make,” says Charlie, adding,”But this time around, everything lined up, and we were able to create an album that covers a lot of musical ground and works as a listening experience from beginning to end.”
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